Saturday, May 10, 2014

Kamrupi culture

"Kamrupi culture" refers to the cultural norms of people of Kamrup.

Language

    Old Kamrupi, a dialect of Eastern Magadhi Prakrit, developed in Kamrup and later transformed as modern Indo Aryan language of Kamrupi, in early second millennium common era. This language is sole literary language of entire north east India, until mid nineteenth century as well as lingua franca of learned man, parallel with Sanskrit language.

Religion

    Traditionally primary religion practiced by Kamrupi people is Hinduism. Yuan Chwang, who visited Kamrup in middle of seventh century, found no trace of Buddhism and noticed Deva temples scattered in hundreds. Cultural development of Kamrup is influenced by Hindu way life, which is evident in day to day life of its people. Kamakhya temple is referred to as the heart of Kamrup in different Puranas and other epics.

Literature

    Kamrupi literature as written form begins as copper plate seals and other inscriptions of Kamrupi kings, as well as Charyapada, an major work in Eastern India. Lauhityapada, Minanatha, Hema Saraswati, Ananta Kandali, Haribara Vipra, Rudra Kandali and Bhattadeva are well known Kamrupi literateurs.

Architecture

    The development of architecture in the Kamrup Kingdom, which flourished during the first millennium CE in the region of present-day Kamrup region, marks a significant phase in the evolution of Indian architectural traditions. The earliest known examples of Kamrupi architecture are characterized by a diverse range of structures, including royal palaces, temples, and residential buildings. These constructions reflect the cultural, religious, and socio-political milieu of the Kamrup Kingdom, which was a prominent political and cultural center in northeastern India. The architectural style of this period is distinguished by its use of locally available materials, such as stone, timber, and brick, and its adaptation to the region's environmental conditions, including its monsoon climate and seismic activity. Temples, often dedicated to Hindu deities such as Shiva and Vishnu, were central to Kamrupi architecture, featuring intricate carvings, robust structural designs, and layouts that adhered to early Indian architectural principles, such as those outlined in texts like the Vastu Shastra. Royal buildings, including palaces and administrative structures, showcased the kingdom's wealth and authority, while residential architecture demonstrated practical designs suited to the needs of the local population. The architectural legacy of the Kamrup Kingdom, particularly evident in sites such as those in present-day Guwahati, laid the foundation for subsequent regional styles and continues to be studied for its historical and cultural significance.

Folklore

Dance

    Kamrupi dance refers to a collection of traditional dance forms originating from the Kamrup region, of India. These dances are deeply rooted in the cultural and religious fabric of the region, particularly associated with Vaishnavism, a major devotional tradition within Hinduism centered on the worship of Lord Vishnu and his incarnations, especially Krishna. As an integral part of Kamrupi folklore, these dances are performed during religious festivals, rituals, and cultural gatherings, embodying the spiritual and artistic heritage of the Kamrupi people.

Historical and Cultural Context

    The Kamrup region, historically significant as the ancient kingdom of Kamarupa, has a rich tradition of performing arts that reflect its diverse cultural influences. Kamrupi dances are closely linked to the Bhakti movement, which gained prominence in Assam through the teachings of the 15th-century Vaishnava saint-scholar Srimanta Sankardeva. His efforts to promote Vaishnavism led to the development of various art forms, including dance, music, and drama, to propagate devotional themes among the masses. Kamrupi dances, therefore, often draw inspiration from Vaishnava texts such as the Bhagavata Purana and the Gita Govinda, which narrate the divine exploits of Krishna.

    These dances are typically performed in settings such as Namghars (Vaishnava prayer halls) and during festivals like Janmashtami, which celebrates Krishna’s birth, or Raas Purnima, commemorating Krishna’s divine dance with the gopis (cowherd girls). They serve not only as expressions of devotion but also as a medium for storytelling, preserving the myths, legends, and moral values of Kamrupi society.

Characteristics of Kamrupi Dance

    Kamrupi dances are characterized by their graceful movements, rhythmic precision, and expressive gestures, often accompanied by traditional Assamese music featuring instruments like the khol (a two-sided drum), taal (cymbals), and flute. The choreography frequently incorporates elements of Sattriya, a classical dance form also rooted in Assam’s Vaishnava tradition, but Kamrupi dances are distinct in their folk origins and simpler, community-driven performances.

    Costumes play a significant role, with performers typically adorned in traditional Assamese attire, such as mekhela chador for women and dhoti-kurta for men, often embellished with vibrant colors and intricate designs. The dances are narrative-driven, depicting episodes from Krishna’s life, such as his childhood pranks, his divine love for Radha, or his triumph over demons, making them accessible and relatable to rural audiences.

Role in Kamrupi Folklore

    As a vital component of Kamrupi folklore, these dances are more than mere performances; they are a living tradition that fosters community bonding and spiritual reflection. Passed down through generations, Kamrupi dances are often performed by local troupes during cultural events, reinforcing the region’s oral and performative heritage. They encapsulate the ethos of Vaishnavism, emphasizing devotion (bhakti), humility, and the celebration of divine love.

    In contemporary times, efforts are being made to preserve and promote Kamrupi dances through cultural festivals, workshops, and documentation, ensuring that this vibrant tradition continues to thrive amidst modern influences. These dances remain a testament to the enduring legacy of Kamrupi culture and its deep connection to Vaishnava spirituality.

Music

     Kamrupi Lokgeet are traditional folk songs originating from the Kamrup region of India, with roots tracing back to ancient times. These songs, passed down through generations, are a vibrant expression of the cultural, social, and emotional facets of life in the region. Sung in the Kamrupi language, they encompass a wide range of themes, reflecting the daily experiences, rituals, and traditions of the people. Common motifs include celebrations such as weddings, where songs convey joy, blessings, and communal unity; lullabies, which soothe infants while embedding cultural values; and unique compositions designed to ward off mosquitoes, blending practicality with musical creativity. These folk songs serve not only as entertainment but also as a repository of oral history, preserving the ethos, beliefs, and lifestyle of the Kamrupi community. Typically performed during festivals, rituals, or communal gatherings, Kamrupi Lokgeet are characterized by their simplicity, melodic richness, and lyrical depth, often accompanied by traditional instruments like the pepa, taal, or dotara. This musical tradition remains a vital part of Assam’s cultural heritage, fostering a sense of identity and continuity among its people.